The 36th Chamber of Shaolin (1978)

Posted in Reviews by - January 11, 2013
The 36th Chamber of Shaolin (1978)

Lau Kar-leung’s famous kung fu film based on monk San Te’s retribution – the Shaolin student credited for opening the temple’s gates to the secular world – plays like a standard revenge flick with some obligatory establishment bashing thrown in for good measure. The key to the film’s legacy as one of the genre’s greatest treasures, then, lies in its insightful and earnest depiction of the Shaolin Temple as not only a vessel for superhuman kung fu training, but also a place of solace, piety and emotional development. Here, Lau portrays the spiritual birthplace of martial arts as a character in the narrative, one which encompasses the heart of the film.

San Te learns how to headbutt sandbags, float on water and even invents his own trademark weapon (the three sectioned staff), yet his years of martial  training and Buddhist learning bares no real impact on his bloodthirsty quest for revenge. Lo Lieh plays the evil tyrant (now there’s a surprise) who has slain countless rebels and innocent people alike, including San Te’s family and friends, but his eventual day of reckoning is a slightly lazy anticlimax. The real juice is in the middle, where Gordon Liu steps out of his shell and lays claim to a naïve charm and intensity that would help to form an iconic career highlight for the kung fu star.

AKA: Disciples of Master Killer; Master Killer; Shaolin Master Killer; The Thirty-Sixth Chamber

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